Firms in the Spotlight Media: Music

Lawlex Solicitors

Lawlex Solicitors logo

Lawlex Solicitors may be A small yet highly focused firm, but its size is its strength. As a focused firm, it thrives on offering highly personalised and strategic legal solutions, particularly in the realm of international arbitration and cross-border disputes amongst other areas. Led by Ruslan Ughrelidze, a Solicitor Advocate with Higher Rights of Audience …

View Profile...

Media: Music in London

Bray & Krais

Bray & Krais is a specialist music firm which works with a plethora of top-tier artists from around the globe. Singled out for its deep bench and strength in depth, the group handles a mix of contentious matters, contractual negotiations and agreements, and IP rights. Other than its work with artists, the team is also active in investments in the music sector, including joint ventures and purchase agreements. Mark Krais has a longstanding reputation in the music industry, and is skilled in commercial contracts, arrangements and endorsements, as well as IP matters and disputes. With over three decades' experience in this sector, Richard Bray advises on music contracts, brand deals and licensing agreements. Simon Dixon is well versed in acquisition deals and contractual arrangements, while Simon Goodbody leads on contentious matters. Jonny Petch is a key contact for corporate and commercial deals. Kelvin Nana is a reference for artists, producers, songwriters and managers.

Practice head(s):

Mark Krais; Richard Bray; Simon Dixon; Simon Goodbody; Jonny Petch


Other key lawyers:

Dorothea Thompson; Kelvin Nana


Work highlights


Clintons

The multidisciplinary music practice at Clintons is split into three subgroups: non-contentious work is overseen by Berkeley Edwards, who specialises in dealmaking; the contentious arm is led by Karim Bouzidi, an expert in music litigation; and the media and entertainment rights acquisition group, chaired by corporate specialist Charles Gerada. On the non-contentious front, the practice is regularly instructed by notable artists from across the UK and globally, as well as independent record labels and publishers, and has been highly active in advising on emerging issues, such as generative AI. CEO Andrew Myers is a leading artist lawyer who advises on all aspects of music artists’ careers, including the structuring and negotiation of high-profile deals. Peter Button and Nicky Stein are other names to note for music artists. On the contentious side, the group handles a broad range of disputes, including proceedings arising from contractual breaches, copyright infringement, performers’ rights infringement and partnerships. Nicky Stein shines in complex music litigation at the national and international level, while Blake Wilner utilises his experience as a professional musician to advise on the technical aspects of music making and recording within litigation. Lastly, the rights acquisition group handles a large volume of transactions relating to music catalogue acquisitions, acting for both aggregators and artists. Chris Coates has assisted with a number of music-related transactions, including rights sales.

Practice head(s):

Berkeley Edwards; Karim Bouzidi; Charles Gerada


Other key lawyers:

Andrew Myers; Peter Button; Nicky Stein; Victoria Wood; Alastair Kenwood; Sam Sparrow; Blake Wilner; Andrew Sharland; Chris Coates; Tim Turner; James Jones


Testimonials

‘Clintons has provided me with a top-rate service across entertainment, litigation and estate planning.’

‘Nicky Stein is not only a great lawyer but has also become a great friend. He has been instrumental in helping me build both my management and label businesses. I value his tenacity, quick mind, pragmatism and most importantly his selfless commitment to always giving me balanced and considered advice. He has been a great ally to me.’

‘The Clintons team has a wealth of knowledge about music and IP. They are a trusted partner when we work on music financing transactions.’

‘Charles Gerada, Andrew Sharland and James Jones are great to collaborate with on music financing transactions. We have worked on a number of challenging transactions together with tight timelines and I have found their team extremely knowledgeable about music and IP rights. They are also pragmatic and commercial in their advice and respond quickly to requests.’

‘Clintons has a good range of lawyers across every aspect of the music business. They are an intelligent, progressive team.’

‘Andrew Myers is, in my opinion, the brightest lawyer in the UK music business.’

‘Good knowledge of the law and practice in the industry.’

Key clients

Fred again..


Lewis Capaldi


Hipgnosis


Muse


Daft Punk


The 1975


Max Richter


Anne Marie


Maisie Peters


Declan Colgan Music Limited


Andy Summers


Ministry of Sound


Chrissie Hynde


James Bay


Bastille / Dan Smith


Lewis Capaldi


Hipgnosis Songs Fund


Mel Maxwell, Christiaan Munro and Jonathan


Newill


Simon Dunmore


BMG Rights Management (UK) Limited


Work highlights


  • Acting for Declan Colgan Music Limited in relation to a dispute with Def Jam Recordings, arising out of a licence to use a sample of a well-known recording by King Crimson in the 2010 release by Kanye West, “Power”.
  • Acting for Andy Summers in relation to a dispute regarding the contractual arrangements between him and Firstars Limited, the service company of former manager of The Police, Miles Copeland.
  • Acted for Hipgnosis Songs Fund in the sale of a catalogue of approximately 20,000 songs for a gross consideration of $23.1m.

Lee & Thompson LLP

A 'go-to firm for music work', Lee & Thompson LLP acts for renowned national and international music artists, collection societies, major and independent publishers, and record labels in the full array of industry-specific matters. Music litigation is a particular strength for the practice, which has represented artists and music publishers in high-profile music rights disputes and copyright infringement cases. Martyn Bailey is a key contact for contentious matters in this space. Alongside its litigation practice, the team continues to assist clients with contractual issues, publishing deals, reputation management issue and IP portfolio management. Lawrence Engel, a reference for top-tier music talent seeking advice on commercial and creative enterprises, jointly leads the practice with Dominic Bray, who oversees the dispute resolution group with a focus on the media and entertainment sectors. Lizzie Payne-James is trusted by artists, agencies and rights holders, and Gordon Williams specialises in music disputes.

Practice head(s):

Lawrence Engel; Dominic Bray


Other key lawyers:

Lizzie Payne-James; Gordon Williams; Martyn Bailey; Liv Lyons; Tim Fowler; James Rushton; Michael Lucas; Marek George; Will Everitt; Mark Stafford; Mike Brookes


Testimonials

‘Great team, engaged, phenomenal market knowledge and understanding. ’

‘Will Everitt is a fantastic lawyer, engaged, adaptable and insightful. Phenomenal understanding of the industry. ’

‘Friendly but fearsome when needed. This is a go-to firm for music work with in-depth knowledge and experience.’

‘Mark Stafford has a deep knowledge of the music industry. He gets straight to the point and is astonishingly efficient. Great to deal with. Dominic Bray is a great litigator well able for the technical issues that arise in online infringement. Super realistic and commercially savvy.’

‘Superb depth of experience.’

‘Mike Brookes excellent judgment. Martyn Bailey is a wonderful tactician.’

‘The Lee & Thompson team has real strength in the field of media and entertainment, and particularly in music disputes. They are one of the go-to firms in this practice area with a strong reputation and excellent industry knowledge.’

‘Martyn Bailey has a keen eye for his clients’ commercial position and the need to devise a legal strategy to meet their commercial goals. Dominic Bray has great industry knowledge and attention to detail.’

Key clients

Harry Styles


Dave


Wet Leg


Lana Del Ray


Rita Ora


BMG


Yungblud


Yoko Ono


Years & Years


Depeche Mode


Sam Ryder


Universal Music Group


Kathy Sledge


Work highlights


  • Acting as Harry Styles’s sole legal counsel.
  • Acting as Wet Leg’s sole legal counsel.
  • Been acting for Depeche Mode since the firm’s establishment in 1983.

Russells Solicitors

Considered ‘one of the absolute go-to firms‘ in the music industry, Russells Solicitors is a highly knowledgeable and experienced music boutique that excels in both non-contentious and contentious matters, assisting a host of clients - from leading British and international artists, to major record labels and music-related individuals. The team is jointly led by Simon Esplen, Gavin Maude and Steven Tregear. Esplen acts for new and established artists, managers, songwriters and other industry players, while Maude, who specialises in commercial matters, advises major artists and industry executives on an array of non-contentious issues. ‘An industry legend‘, Tregear leads the litigation team and has a wealth of experience in representing record and publishing companies, as well as artists, managers and promoters in a multitude of cases, from copyright infringement disputes to litigation involving royalty payments and defamation cases. Key support is offered by Alice Rudge and Elizabeth Scandrett, both of whom focus on high-profile music disputes. Chris Organ and Jo Brittain concentrate on advising talent, and Chris Gossage and Ryan Vince handle corporate and commercial matters in the music industry. These are also core areas of activity for Ally Horn, noted for representing award-winning bands. Recently promoted partner Dan Hoyle is the go-to for reputation and crisis management issues.

Practice head(s):

Simon Esplen; Gavin Maude; Steven Tregear


Other key lawyers:

Chris Organ; Chris Gossage; Ryan Vince; Jo Brittain; Chloe Forsyth; Henry Priestley; Ally Horn; Simon Jordan; Alice Rudge; Dan Hoyle; Elizabeth Scandrett; Mark Walker; Sam Willmott; Sharon-Rose Mensah; Lewis Lawrence; Eliot Leggo


Testimonials

‘Russells are without question one of the most experienced and knowledgeable specialist teams in this sector. The firm has been a leading player in this field for decades, and justifiably so. Their understanding and knowledge of the music industry generally, and the main players in this sector, is outstanding.’

‘There are very few people with the deep knowledge, experience and understanding of this area of the law than Steven Tregear. He is incisive, pragmatic, very tenacious on behalf of his client, and with excellent strategic and tactical judgment. A true leader in his field. Alice Rudge also stands out: she is very able, and very bright indeed. She is an original thinker, analyses the issues in a case with great care and ability, and often spots points that others might have missed. ’

‘One of the very few music and media specialists in the market, Russells is one of the absolute go-to firms in this space. The team know their stuff inside out, in what is a surprisingly complex and niche area. Absolutely first rate client care, and a truly specialist knowledge is the standout feature of this firm.’

‘Steven Tregear is an industry legend, and someone with incomparable legal experience in the music and entertainment legal industry. Steven fights tirelessly for his clients, and is a creative thinker – coming up with clever and creative solutions, and never taking the default position for granted.’

‘One of a small number of firms with extremely experienced and well-connected music litigation departments. A choice for major record companies, independent labels, artists, agents, managers and so on. Delightful team to work with; flexible, pragmatic and highly commercial.’

‘Russells have a specialised and skillful team, many of which we deal with on a regular basis in the music and entertainment space. They are incredibly knowledgeable and are on up-to-date with the new laws and issues evolving in the industry. As well as being on the opposing side, we are also clients and can attest that their reputation is well earned and deserved. ’

‘Jo Brittain is a very tough and meticulous negotiator and certainly goes the extra mile for his clients, but is he also reasonable and fair. He is an excellent lawyer who engages with the party he is with negotiating with to attain the best position possible for his client but also knowledgeable about what is realistic in achieving that position in the market.’

‘Alice Rudge is just brilliant. She is an excellent strategic thinker and is wise beyond her years. Definitely one to watch for the future in music litigation. Steven Tregear is a titan in music litigation. He has extensive industry knowledge and is very commercially minded.

Key clients

Coldplay


The Last Dinner Party


Ezra Collective


PULP


Forever Living Originals / Inflo


Andrew Lloyd Webber


The Estate of George Michael


The Estate of Amy Winehouse


Florence and the Machine


Mabel


Arctic Monkeys


Sam Fender


Universal Music Group


Warner Music Group


Roger Waters


Work highlights


  • Advised Forever Living Originals / “Inflo” on the ambitious and critically acclaimed live project “Acts of Faith” which featured the performances of R&B music collective project SAULT.
  • Advising The Last Dinner Party on a variety of commercial matters throughout their breakout year.
  • Acting for UMG Recordings, Inc in a claim brought by Declan Colgan Music Limited relating to the payment of royalties on streaming under a pre-digital contract.

Simkins LLP

'Unquestionably one of the leading specialist teams in this sector', the commercial music practice at Simkins LLP stands out for its impressive track record in catalogue sales and acquisitions work. The firm also acts for various notable artists, producers and emerging talent in recording and publishing deals, as well as touring and rights agreements. The group has recently expanded its live music offering by additionality advising on tech-driven live events. Practice head Euan Lawson acts for major labels and several acclaimed artists in contractual and commercial matters. Ed Baden-Powell focuses on commercial contracts and IP work, while copyright and contract disputes are key areas of expertise for Paddy Gardiner and Tom Iverson. Nick Eziefula advises artists, labels and publishers on commercial and IP matters. Ed Weidman is well versed in the drafting and negotiation of commercial contracts, while Ben Gisbey and Stuart Smith specialise in corporate and transactional issues.

Practice head(s):

Euan Lawson


Other key lawyers:

James Harman; Ed Baden-Powell; Paddy Gardiner; Tom Iverson; Nick Eziefula; Ed Weidman; Ben Gisbey; Stuart Smith; Giao Pacey; Rachael Heeley; Naoise Tan; Andrew Wilson-Bushell; Jessica Welch; Dionne Clark; Hugo Mason


Testimonials

‘Simkins is unquestionably one of the leading specialist teams in this sector. They have extensive experience and a detailed understanding of this field and the music industry generally. There are few firms who can match them.’

‘I have worked in particular, on a number of matters over the years, with Paddy Gardiner and Tom Iverson. They are both outstanding practitioners in this area. They are highly experienced and knowledgeable, with excellent strategic and tactical judgment.’

‘A diverse team with a wealth of experience including some lawyers that have been artists and previous record company managers. Delivering a personal service and guidance through contract negotiations. They are able to provide a full service to cover all aspects of contract negotiations covering commercial and corporate matters. ’

‘Ed Weidman is highly knowledgeable and understands the complexities of recording agreements and any other media-related commercial contracts. Having had practical experience working with record labels and artists previously he is able to provide advice across all elements of a contract including corporate issues. If there’s anyone you would want in your corner during contract negotiations – Ed is your man!’

‘Simkins provides a personal service, with lawyers at all levels being approachable and available. Euan Lawson and Rachael Heeley have been very helpful with commercial music matters, Paddy Gardiner and Jessica Welch have provided us with great support in litigation matters.’

‘Simkins is a centre of excellence for copyright and music. They represent talent and industry players at the highest level. They have a deep understanding of the working of this business together with preeminence in the law underpinning it. This combination is unusual and compelling. Simkins covers all the ground one would normally expect from a full-service law firm but can also answer the really hard questions that that few in industry can grasp with such certainty.’

‘I have worked with Euan Lawson, Ed Baden-Powell and Stuart Smith. These guys really know their stuff and they get deals done. They take an open minded view of transactions and contribute tactically helping clients make decisions and adding value. They are not just about identifying the risks – they really understand the opportunities too. They can offer wide ranging advice across a host of specialisms.’

‘The Simkins music team has almost unrivalled sector expertise – there is nothing they don’t know about music law! They have a stellar client list, ranging from emerging talent to global icons, and from self-releasing artists and composers to the major record labels and publishers and the UK music collective management organisations. They are able to provide high-quality, pragmatic, commercial advice on the knottiest of issues.’

Key clients

Universal Music Group


Virgin Music Group


Faber Music


Bella Figura Music


BMG Rights Management


Iron Maiden


P!NK


Becky Hill


One House Management


Jess Gillam


Da Beatfreakz


Big Church Festival


Experience Hendrix


Sony Music


PRS for Music


Def Leppard


Grace Jones


The Estate of Freddie Mercury


The International Olympic Committee


Rod Temperton


Wilkinson


PPL (Phonographic Performance Limited)


Experience Hendrix LLC


MCPS (Mechanical-Copyright Protection Society)


MPA (Music Publisher Association)


Psychedelic Furs Partnership


Work highlights


  • Acted for Universal Music Group International (including Virgin Music Group) in several acquisitions, including the acquisition of the Oriental Star Agencies’ eminent South Asian music catalogue.
  • Advising on all aspects of P!NK’s European Tours in 2023 and 2024, including the client’s deals with the European promoters, all supply agreements, taxation, social security and visa issues across Europe.
  • Acting for the estate of Jimi Hendrix and Sony Music in a multi-million-pound claim for ownership of copyrights, related rights and royalties asserted by heirs of Jimi’s former bandmates in The Jimi Hendrix Experience.

Baker McKenzie

Baker McKenzie is well positioned to advise social media and technology giants with music-related matters, covering both IP and contractual issues. The team also handles M&A, employment and litigation matters for music adjacent clients, and has recently assisted with music catalogue deals and AI-related issues. Department head Ben Allgrove – noted for his expertise across digital media – advises on a range of IP and technology issues, including digital music distribution and copyright disputes. William Holder focuses on corporate matters within the TMT sector, including acquisitions and sales in the music industry. John Groom is another name to note for non-contentious music mandates.

Practice head(s):

Ben Allgrove


Other key lawyers:

John Groom; William Holder


Key clients

BBC Studios


Google


Hutch Games


Index Ventures


Inspired Entertainment


Netflix


ORFIUM


Snapchat


Sony


Sovereign Films


YouTube


Work highlights


Hamlins LLP

Specialist music firm Hamlins LLP is a popular choice for music collecting societies and has ample expertise in handling a variety of contentious claims brought forward by these societies. Music merchandising work is another key pillar of the practice and a core area of focus for practice head Martin Ochs, who leads on all High Court litigation involving music collecting societies.  The team also handles licensing rights for artists and assists with IP rights protection. Christopher Hutchings is a key contact for brand protection and reputation management mandates.

Practice head(s):

Martin Ochs


Other key lawyers:

Christopher Hutchings; Kirsty Lawrence


Testimonials

‘They made everything painless. Simply explained processes and all in easy to understand.’

‘Friendly, simply explained each process and kept me up to date.’

‘Market expertise, strong team which operates with great efficiency.’

‘Martin Ochs is a market leader in this field. A brilliant black-letter lawyer who has a passion for the subject which he deploys to the benefit of his clients.’

‘Hamlins has been advising and representing clients in the music sector for decades and has a deep practical and commercial understanding of the industry.’

‘Martin Ochs stands out as a bright, practical solicitor with a great commercial mind who gets excellent results.’

‘They provide excellent instructions and take a very commercial view on the disputes on which I have worked with them.’

‘Martin Ochs is excellent. He knows his stuff and is a pleasure to work with. Kirsty Lawrence provides very good support and it is always reassuring to have her sitting behind me in court.’

Key clients

Phonographic Performance Limited (PPL)


Performing Right Society Limited (PRS For Music)


PPL PRS Limited


George Lowden Guitars


TRAP (Trademark & Rightsholders Against Piracy)


David Nicoll (manager of The Kooks and others)


Bravado International Group


Danilo


Sharleen Spiteri


Warner Music Group


Adam Ficek


Rafferty Law


Shane Lynch


Neil Fox


Work highlights


  • Acting for Phonographic Performance Limited (PPL) to enforce High Court Injunctions against infringers who do not take the requisite licence in order to play sound recordings belonging to PPL and/or the record companies.
  • Assisting Trademark and Rightsholders against Piracy (TRAP) with both civil and criminal infringement actions on behalf of TRAP, dealing with agents and band management involving evidence and Trading Standards and Enforcement Agencies in relation to execution of raids.
  • Advised Lowden Guitars on brand management, particularly in relation to its collaboration with Ed Sheeran for the Sheeran by Lowden brand.

Harbottle & Lewis LLP

Kieran Jay leads Harbottle & Lewis LLP‘s music practice, representing high-profile artists, songwriters, producers, record and publishing companies in commercial matters. With a wide-ranging expertise in the music industry, practice head Jay advises on merchandising and endorsement agreements, live performances and employment issues. The team currently assists award-winning artists from the UK and abroad with corporate and commercial issues such as catalogue sales, and is also well versed in joint ventures and collaborations between major labels and talent. Neil Adleman manages IP rights for artists, while Will Priestley assists music clients with a range of day-to-day matters.

Practice head(s):

Kieran Jay


Other key lawyers:

Neil Adleman; Will Priestley; Isabella Ramchandani; Sofie Sigvardt


Work highlights


Level

Bringing together the experience of independent music lawyers under one team, Level is well placed to advise major artists and new emerging talent on a host of matters, including issues relating to live events and festivals. Halina Wielogorska acts for a diverse client base, which features notable artists and songwriters, and showcases strength in live events mandates. A name to note for matters concerning classical and contemporary dance, Irving David advises on commercial and IP matters in the music industry, while John Reid often assists senior executives within the music industry, and handles a mix of reputation management, commercial issues and privacy disputes for artists. Digital music matters are handled by Raffaella De Santis, who advises on digital rights and licensing, as well as recording, publishing, management and touring agreements. Rupert Sprawson centres his practice on music publishing, recorded music and digital distribution, while Suzi Sendama is the go-to for contentious and non-contentious matters related to IP, reputation management and commercial contracts.

Other key lawyers:

Halina Wielogorska; Irving David; John Reid; Raffaella De Santis; Rupert Sprawson; Suzi Sendama; Mark Ashelford; Keith Ashby; Rochelle Winn


Testimonials

‘Level Law stands out for its commitment to client satisfaction and its young and forward thinking team. My working relationship with Halina Wielogorska has been a pleasure and she has guided me through various complex legal situations over the last year. I have found her to be willing to go the extra mile to explore all options and find the best solution on my behalf. She also offers a personal and understanding approach to offering legal advice which I have found very helpful in making the right career decisions.’

‘Halina Wielogorska​​​​ has been thorough, professional and absolutely meticulous in her work, but at the same time handled sensitive issues compassionately and carefully. I consider Halina to be a vital part of my team and trust her advice and guidance. I have found other members of my management team have been blown away by how on the ball she is and how much care and attention she puts into her work. She has been a pleasure to work with.’

‘As an individual Halina Wielogorska is extremely agile and able to negotiate and reason with clarity through all the situations we have thrown at here. Her understanding of the music industry and our specific role within it has shone through in all of our dealings and her passion for the arts is clear within all that she does. We highly value her and see her as a pivotal member of our team on the larger jobs that we do.’

‘Level Law is exceptional in its breadth of experience and knowledge. The depth of understanding and knowledge of the industry is outstanding.’

‘We have worked with Suzi Sendama closely on several cases and her dedication and diligence is second to none. Suzi is personable and fun to work with, is a super-connector with many contacts and associations, and has an attention to detail the like of which we have not encountered in anyone else. Suzi is super responsive and available to her clients and leaves no stone unturned in her quest for results. ’

‘Level is one of the best law firms I’ve had the pleasure to work with. They are extremely innovative and their team has a very broad knowledge base which includes many of the more niche areas (such as blockchain, Web3 and digital IP) as well as a total mastery of sports, music and entertainment law. They are very collaborative, and have a great pool of lawyers who between them can cover any situation that I have brought to them thus far.’

‘My lawyer Halina Wielogorska embodies the pro-active can do attitude of the firm and though she comes from a traditional sports and entertainment background, her in-depth knowledge and personal interest in emerging technologies such as Web3 and blockchain and AI put her in an excellent and unique position advise my business.’

‘Irving David has been our lawyer for many years. His attention to detail is outstanding. Quick to reply, full of knowledge and expertise.’

Key clients

Team Salut


Reach Music Publishing


WhoSampled.com Ltd


Birmingham Royal Ballet


PMC Records Ltd


Work highlights


  • Assisting PMC Records Ltd with negotiating a substantial worldwide record licensing agreement of select recordings from the PMC Records Catalogue.
  • Advising Team Salut on a major deal with Apple in which the client secured the spot to be the soundtrack for the Apple iPhone 15 launch campaign.
  • Acted for Reach Music Publishing in its acquisition of recording and publishing rights in Judas Priest’s first two albums.

Lewis Silkin

The music department at Lewis Silkin continues to evolve with the industry itself, focusing on new technologies and digital. AI plays an important role in the firm’s practice, which excels in advising advising AI music companies and Web3 players on the use of AI, digital goods, tokens, AR and VR. The practice is retained by a diverse client roster comprised of labels, publishers, performing rights organisations, digital platforms, agents, streaming services and multi-channel networks, who turn to the team for assistance with copyright ownership and infringement disputes, catalogue acquisitions, live performance issues and joint ventures. Practice leader Cliff Fluet is the go-to lawyer for advice on AI, blockchain, NFTs, immersive entertainment and the metaverse. Jeremy Summers is a key contact for IP-related issues, while David Deakin assists with interactive entertainment and digital content matters. Lauren Stone is proficient in rights clearances for live events, the negotiation of talent contracts for awards shows, and also assists labels and publishers with securing rights for marketing campaigns. Michael Szlesinger focuses on music disputes, including infringements concerning copyright ownership, chain of title, and recording rights.

Practice head(s):

Cliff Fluet


Other key lawyers:

Jeremy Summers; David Deakin; Lauren Stone; Michael Szlesinger; Alexander Fewtrell


Key clients

DAACI


Beatbread


VEVO


Ministry of Sound


Jammable


Un:hurd


Serenade


Royal Albert Hall


Champion Records


Work highlights


  • Advised Jammable on securing its licencing deals on a global basis, and provided assistance with commercial and regulatory issues.
  • Advising UnHerd Limited on all data protection, corporate and music rights issues with clients and establishment of new terms and conditions.
  • Assisting Audoo with its audio listening partnership, requiring careful navigation of music rights, members data, commercial interests and database management.

Reed Smith LLP

Reed Smith LLP’s music team handles a number of cross-border deals for labels, artists and music companies. Catalogue acquisitions have been a particularly area of focus for the team, which is also skilled in licensing agreements, music rights acquisitions, and other transactional and commercial matters. Elle Todd and Steve Sessa lead the wider TMT group. Noted for his specialism in dance and electronic music, Gregor Pryor advises a slew of notable international artists. Michael Skrein is a key contact for music-related litigation matters, while Sophie Goossens is the go-to for copyright issues. Nick Breen is knowledgeable of cross-border licensing and sponsorship deals.

Practice head(s):

Elle Todd; Steve Sessa


Other key lawyers:

Michael Skrein; Sophie Goossens; Nick Breen


Testimonials

‘What makes this practice unique is its international footprint and ability to provide expert advice in different territories around the world, including providing market practices and economic intelligence. The practice has been very much at the forefront of AI and has been able to provide very well advised views and recommendations.’

‘What makes the people at Reed Smith stand out is the fact that they are able to evolve in an international environment, in particular Sophie Goossens who is bilingual in French and English, as well as having expertise in English law, which is extremely valuable. I also greatly value the fact that Sophie Goossens is always able to give us sound advice very quickly, and to make intelligent suggestions on how she can best support us.’

Work highlights


Sheridans

The music group at Sheridans advises global acts, upcoming artists, songwriters and producers on IP, corporate and commercial issues. The team is jointly led by Stephen Luckman and Claire Lewis; Luckman, a key contact for both national and international talent, focuses on IP and commercial issues, including catalogue sales, while Lewis splits her time between theatre and music matters, assisting with live touring issues as well as music-related transactions. Other key individuals include Russell Roberts, who advises music clients on employment and corporate matters, Chris Brown, who assists artists with day-to-day matters, and Lance Phillips, who focuses on artist-based agreements. Wale Kalejaiye, a name to note for domestic and Nigerian clients, has a ‘proven track record of successfully negotiating deals for high-profile artists’.

Practice head(s):

Stephan Luckman; Claire Lewis


Other key lawyers:

Russell Roberts; Chris Brown; Lance Phillips; Nigel Jones; Wale Kalejaiye


Testimonials

‘I am very thankful for the close relationship I have built with Wale Kalejaiye, I feel supported in all aspects and trust him dearly.’

‘Wale  Kalejaiye has helped me through multiple things and is always reliable and responsive. He goes above and beyond for me and we work very closely and collaboratively. I am proud to now also call him a friend. I trust him with all aspects of my company and look forward to growing together in our industry.’

Wale Kalejaiye is an excellent lawyer for us due to his extensive experience in entertainment law, deep understanding of the music industry, and proven track record of successfully negotiating deals for high-profile artists. His expertise ensures that our client’s interests are well-protected, and his strategic guidance helps navigate the complexities of contracts, IP rights, and industry regulations. His dedication to his clients and personalised approach make him a trusted adviser and advocate for our client’s career.

‘They are always very welcoming and also work to make every client happy.’

The team covers all angles from commercial negotiations, to copyright law and beyond. They show a genuine interest in the project.

Work highlights


Wiggin LLP

Wiggin LLP‘s music team is routinely engaged in complex contentious and non-contentious matters, where it acts for a predominantly corporate client base made up of record labels, digital rights companies, streaming services and online platforms. The team boasts strong knowledge of corporate, commercial and regulatory issues, and often assists with catalogue acquisitions and disposals, and mandates concerning generative AI issues and IP law. Rachel Alexander, who excels in copyright and trade mark disputes as well as AI-related issues, leads on contentious work. Georgina Hart offers key support in music-related IP litigation. Alexander Ross oversees non-contentious matters, providing assistance to record labels, publishers, digital platforms and collecting societies in relation to collective rights licensing and music catalogue deals. Peter Mason works alongside Ross in music licensing matters, and also advises on copyright and AI-related issues.

Practice head(s):

Rachel Alexander; Alexander Ross


Other key lawyers:

Peter Mason; Georgina Hart; Freya Hadrill


Testimonials

‘Worked with Wiggin in the context of mediation. Pragmatic approach to problem-solving, talented team of lawyers who seems to work well together collaboratively.’

‘Rachel Alexander has a very structured and pragmatic approach. She is very experienced, talented and has deep knowledge/expertise in EU competition law and media law. Georgina Hart is trusted by clients; she is a very smart, well-prepared, talented and experienced lawyer.’

‘Wiggin has lawyers that are not only experts in their legal field, but also have great experience in advising in relation to all aspects of the music industry. Wiggin can give reliable and solid legal advice in advancing and untested technological fields.’

‘Rachel Alexander leads the team with incomparable skill. Georgina Hart is brilliant.’

‘The team at Wiggin is exceptional. It has acted in some of the most high-profile music litigation cases of recent years. It has strong links with industry bodies and exceptional knowledge of the music sector and the intellectual property issues arising in this space.’

‘Rachel Alexander is just brilliant. She is an excellent strategic thinker, extremely engaged, very responsive, and gets real results for her clients. She is fantastic to work with.’

‘Best-in-class knowledge of copyright and enforcement. Legal advice and strategic input is second to none.’

‘Rachel Alexander – our go-to expert for the most challenging copyright issues and complex disputes. Rachel’s knowledge and strategic counsel is key to pushing our business to the next level. Georgina Hart – a brilliantly detailed and knowledgeable lawyer. We always feel in safe hands when Georgina is on the case! Freya Hadrill – a confident and engaging lawyer. Definitely one-to-watch for the future!’

Key clients

Disney


Downtown Music Publishing


International Federation of the Phonographic Industry (IFPI)


Performing Right Society (PRS)


Phonographic Performance Ltd (PPL)


On Air B.V.


One Media iP


Oxford University Press


Sony Music Entertainment UK Limited


Soundmouse


TCAT


Warner Music UK Limited


Work highlights


  • Acting for Warner Music, and Sony Music Entertainment in a High Court damages inquiry against TuneIn Inc., having established liability for copyright infringement.
  • Advising Disney on all the music licensing for its Disney+ service across Europe, the Middle East and Africa.

Bird & Bird LLP

Bird & Bird LLP‘s music practice is led by Phil Sherrell, a well-regarded litigator who has handled high-profile copyright infringement cases in the music industry. In addition to its strong IP litigation capabilities, the group is also skilled in music catalogue acquisitions and licensing issues. IP specialist Rebecca O’Kelly-Gillard also plays a prominent role in contentious matters in the music segment.

Practice head(s):

Phil Sherrell


Other key lawyers:

Rebecca O’Kelly-Gillard; Simon Fielder; Richard McMorris


Key clients

TikTok


TuneIn


Warner Bros. Discovery


DAZN


IOC


UK Radioplayer


Daily Mail


Royal Opera House


Radiant


Aser Media


Work highlights


  • Acting for TuneIn in the litigation brought against it by Sony Music and Warner Music.
  • Acting for Dave Holmes, former manager of Coldplay, in an ongoing management dispute with the band relating to the end of their management arrangements.

CMS

CMS is known for its strong work in the technology and music spheres, where it assists major record labels and social media companies on commercial and corporate mandates. The wider media practice is led by Victoria Gaskell and Paul Guite who handle regulatory and corporate work, respectively, for media and tech clients. The go-to name for music-related matters, John Enser is routinely engaged by platform operators and clients offering audio and audiovisual content via digital platforms in relation to regulatory, commercial and copyright mandates.

Practice head(s):

Victoria Gaskell; Paul Guite


Work highlights


Greenberg Traurig, LLP

Led by Neil Miller, Greenberg Traurig, LLP‘s music practice assists social media companies, gaming and interactive entertainment companies with music licensing agreements. The team, which has recently advised on a new type of licensing agreement involving music mashup tools, is also well positioned to handle commercial agreements concerning AI. Miller draws on his extensive in-house experience in the music industry to assist with complex music licensing deals.

Practice head(s):

Neil Miller


Testimonials

‘Neil Miller has extensive experience negotiating music licensing agreements between technology companies and record labels and music publishers.’

‘The Greenberg Traurig music practice has decades of experience in digital music and provides clients with sophisticated legal advice that takes into account the client’s deadlines, needs and exposure.’

‘Neil Miller not only provides advice but also helps to ensure that we’re considering alternatives that we hadn’t considered before. He is a brilliant legal partner.’

Work highlights


Simons Muirhead Burton

Simons Muirhead Burton is a popular choice for clients engaged in the sale and acquisition of music assets, including catalogue deals. Corporate matters are a core focus for the practice, which advises artists, independent music publishers, music managers and executives. Practice head Richard Baskind advises a mix of artists, songwriters, music executives and independent record labels on sales and acquisitions. Alasdair George has a solid track record in the music sector, and focuses on M&A and corporate transactions. Zack Gold is also active in assisting with a mix of corporate matters in the music industry, including partnerships, joint ventures and shareholder relations.

Practice head(s):

Richard Baskind


Other key lawyers:

Alasdair George; Zack Gold; Anthony Orum; James Goose; Rachelle Senghor; Fiona McGugan; Heather de Allende


 


Testimonials

‘SMB is a small, tight-knit team of music and entertainment attorneys. The two partners have been there for years, while the associates have a wealth of experience from different companies and specialties within the business. SMB provides top-level advice and is always commercially conscious on behalf of its clients. As a small team, each client knows exactly what they are getting on each transaction.’

‘The best attorneys in the music business provide the following: excellent deal/contract negotiation skills, commercial knowledge and consciousness, and lastly great advice. It is the third point, the great advice, that makes SMB stand out. Richard Baskind and Alasdair George are second to none in terms of the quality of the advice they provide. The two complement each other perfectly. This is what keeps me coming back to SMB.’

‘The team understands the business and the characters that make up the business. They have a wealth of experience.’

‘I’ve worked with various entertainment law firms in the UK and feel Simons Muirhead Burton is a step above the rest. The team is always available and responsive, and covers all areas of the music business – which is what I deal with them on in particular. I have worked with them on everything, from executive contracts to commercial terms on artist contracts and litigation. They have always delivered exceptional service.’

‘Richard Baskind is a very experienced lawyer in the music space with an exceptional ability to think outside of the box and find solutions to any roadblocks. Thorough in his work and very easy to speak to – he has the ability to break down key points and issues in order to explain to the client and receive advice. Responses are quick and work is of top quality.’

‘I think Zack Gold is one of the best young lawyers in the UK music business. Incredibly creative in his approach. Thorough in his work and provides great advice. I have worked with him for past 5 years and he not only excels on commercial terms but also has a very good eye for picking up any tricky and idiosyncratic issues buried in the agreements.

‘Heather de Allende is a genius and a wizard lawyer who is very particular and has a lot of attention to detail. I love working with her and most importantly she is very fast to turn things around.’

Key clients

Primary Talent International Limited


FAE Ventures Limited


Arctic Rights Management AS


NQ Music Group


Tom Grennan


Sola Records Limited


SubSoul Limited


Lorne Balfe


Alan Walker


Kreatell Music Group


Catfish & the Bottlemen


Evgeny Grinko


Ari PenSmith


42 M&P Ltd


Spirit Music Group


Holly Humberstone


Ian Broudie (The Lightening Seeds)


Sarah Brightman


Nick Cave


Cosmos Music AB


Closer Management


Locomotion Group


Chosen Group


Interland Music


Work highlights


  • Acted for Matthew Bates, together with other members of the management team of Primary Talent International Limited, in a management buyout of the company.
  • Advised FAE Ventures Limited on the sale of the entire recorded music catalogue of the artist Lil Peep to the artist’s estate.
  • Assisted the principal shareholders in Arctic Rights Management AS with the sale of the entire issued share capital of the company to US-based independent publisher Peermusic.

Sound Advice (Legal) LLP

With a popular following of creatives from the music industry, including recording artists, producers and songwriters, Sound Advice (Legal) LLP is well versed in handling a variety of transactional work. Robert Horsfall leads the practice and assists a number of legacy artists as well as emerging talent, providing both transactional advice and support in their growing careers. Sonia Diwan is a key member of the team, who often assists pop and urban artists, songwriters and producers. Jules O’Riordan - also widely known as the electronic DJ Judge Jules - is a notable electronic dance music lawyer. Alex Meiklejohn focuses on live music, and advises booking agencies and promoters.

Practice head(s):

Robert Horsfall


Other key lawyers:

Sonia Diwan; Jules O’Riordan; Alex Meiklejohn


Testimonials

‘I’ve been with Sound Advice since before they formed. Over the decades, they’ve gave me guidance when needed and backup when needed – just what every musician wants from their lawyers.’

‘I have dealt mainly with Robert Horsfall and Sonia Diwan and I cannot fault their professionalism. What separates them from others is their flexibility and their ability to really, really listen and understand what I’m saying. After twenty-seven years, I regard Robert and Sonia as friends. A lot of business contacts have come and gone in that time. It’s testament to their characters that they have not.’

‘Deep knowledge of and immersion in the industry.’

Key clients

Chase & Status


Philip Adrian Wright (The Human League)


Clarence Coffee


Stargate


TMS


AC Slater


Jo Caleb


23 Recordings (Various/ Dave Bianchi)


Event Horizon Entertainment Limited


Tileyard Music


Work highlights


GSC Solicitors LLP

The IP and media group at GSC Solicitors LLP focuses on assisting copyright collecting societies with contentious and non-contentious mandates. Copyright infringement cases, issues concerning copyright law reform and international collections, as well as licensing matters are key areas of activity for the team, which is also noted for its public performance enforcement work. The practice is jointly led by Justin Goldspink and Clive Halperin; Goldspink acts as a key adviser to Phonographic Performance Limited (PPL), assisting it with a number of copyright cases, while Halperin is knowledgeable of technology and AI matters, and is often seen handling cross-border transactions. Ross Waldram handles day-to-day matters for PPL PRS.

Practice head(s):

Justin Goldspink; Clive Halperin


Other key lawyers:

Ross Waldram


Testimonials

‘Justin Goldspink probably has the deepest technical knowledge of media and entertainment law, particularly copyright, of anyone I have ever worked with. He is an incredibly intelligent and diligent lawyer. His advice and guidance are trusted by some of the largest organisations in the music industry. Ross Waldram grows in authority and knowledge every year.’

‘Justin and Ross have true sector expertise. Great team players – user-friendly and loved by clients.’

‘GSC’s knowledge and experience of sound recording copyright issues is probably unrivalled among legal professions in private practice.’

Key clients

Phonographic Performance Limited (PPL)


PPL PRS Limited


CanO Water Limited


Barmy Army Limited


Work highlights


  • Representing Phonographic Performance Limited (PPL) before the Copyright Tribunal in respect of the tariff for the use of PPL’s sound recordings at events.
  • Assisting PPL PRS Limited with the enforcement of the rights of PPL and PRS in sound recordings and musical works.
  • Representing PPL in the third party disclosure application issued by TuneIn as part of the ongoing case for copyright infringement brought by Sony and Warner.

Keystone Law

Keystone Law‘s media and entertainment team boasts a strong lineup of advisers with notable expertise in the music industry. Gerard Cukier provides counsel to prominent figures on recording and performance contracts, licensing arrangements, sponsorship deals, and reputation management. Also highly regarded are Nick Weaser, known for his skills in contract law, and Lawrence Abramson, an experienced commercial litigator.

Other key lawyers:

Gerard Cukier; Nick Weaser; Lawrence Abramson


Key clients

Louis Schoorl


Work highlights


Statham Gill Davies

Statham Gill Davies is a boutique music firm that focuses on advising local and international artists, producers and influencers. The team has varied expertise across catalogue sales, branding, management, and publishing, commercial and talent agreements. Practice head and founding partner John Statham is the key port of call for artists, publishers and merchandisers seeking assistance with a range of agreements and employment matters. Co-head Paul Lennon advises UK and European artists as well as corporate clients on transactional matters. Talya Shalson handles commercial matters for notable artists, and is known for working with TV personalities - including contestants - on music talent shows.

Practice head(s):

John Statham; Paul Lennon


Other key lawyers:

Talya Shalson; Kaz Gill; Tim Smith; Sean Cassidy


Work highlights